Tremolos interest me, as a good design has its own pulse, which can sound lively like the instrument itself.

This was my first effect design which I started in high school. It started from scratch, to be completely unique and not sound like any other existing tremolo circuit. Development took over a decade before I was happy with it.

By shining a fading light against a photo-sensitive device, this tremolo uses all analog photo-coupling to restrict and fluctuate the output volume.

The modulation waveform is asymmetrical in ascent and descent, in both shape, and time. I find this helps to not try to play in-time with the effect, and let it find its own timing over your signal. This was a characteristic of the spinning liquid can tremolos. The square wave mode is also asymmetrical - it stays in the 'on' state a little longer than the 'off' state, which I think sounds much better.

As with all of my tremolo models, you should expected perceived unity volume with all depth and rate settings, without having to make any manual volume adjustments. The wet level can be adjusted internally by a trimpot.

Always use a high quality regulated and isolated power supply for best operation. Daisy chain power cables may induce clock noise.

AUD$220. Free post worldwide. See returns policy. Most international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays. This has been available for most countries, but not all.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

RAD DISTORTION

This is the classic ratty sounding distortion from the '80 and '90s, with some Dazatronyx tweaks.

A distortion unit with two voicing modes. 'SI' silicon mode is the classic sound. This is achieved by a two-stage distortion of first overdriving the operational amplifier chip into a metallic fuzz, and then compressing the signal using hard-clipping silicon diodes.

In the 'GE' germanium mode, the op amp fuzz has been removed. Germanium transistors and four germanium diodes are used to achieve a rounded and organic overdrive-distortion.

There is an internal trimpot to dial the mid/high saturation to suit your pickup and style - only if you feel the need to fiddle. Turning this completely right achieves the 'stock' metallic ratty distortion. Turning this left achieves a more flattened and bassier response, which can be well suited for the germanium mode.

All of the active signal processing is handled by parts wrapped in either metal or glass - all mojo. These components are in limited availability, and likely will be subject to change in the future as this project continues.

Special components:

• Authentic NOS LM308 Metal can operational amplifier IC.
• NOS germanium transistors.
• NOS Telefunken black glass matched silicon clipping diodes.
• NOS Germanium clipping diodes.
• Nichicon film capacitors.
• Panasonic electrolytic capacitors.
• Dale Industrial grade precision metal film resistors (1%, 100 PPM / C).
• 600V Teflon wiring.
• Long life original CIC brand footswitch, Switchcraft audio sockets, Hammond enclosure. Usual stuff.

AUD$235. See returns policy.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

Here's my take on a muff based fuzz-distortion. This has some unique mods which dramatically improve the tone and playability of the pedal.

AUD$220. See returns policy.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

PROFESSIONAL DRIVE

This is the result of my work developing the classic TS overdrive circuit over many years, and critically evaluating every tone-shaping aspect of the signal path.

I've added a three-way switch which toggles between three modes, which is helpful to suit a broader range of pickups and play styles.

• SYM - Symmetrical clipping like the classic 808 overdrive, with a focus on mids.
  
• ASYM - Asymmetrical clipping begins to ‘look’ more like a valve amplifier clipping. This can better suit input signals which already have a full bottom-end, such as bridge pickups, and allows chord detail to better shine through.
  
• FAT - Also asymmetrical clipping, but with a full bottom-end output.

The gain knob has twice the gain range than you would expect from a classic TS.

AUD$220. Free post worldwide. See returns policy. All international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

Please also note: The second toggle switch option seen in the demo videos below is no longer included in the current production model for sale here. I found that the tone knob can make a setting which sounds the same as the "2 knob" mode, so it was removed.

PROFESSIONAL DRIVE

PLUS SIZE

The same as the compact unit - only with over-spec'd components, and top-mounted sockets. This is the result of my work developing the classic TS overdrive circuit over many years, and critically evaluating every tone-shaping aspect of the signal path.

I've added a three-way switch which toggles between three modes, which is helpful to suit a broader range of pickups and play styles.

• SYM - Symmetrical clipping like the classic 808 overdrive.
  
• ASYM - Asymmetrical clipping shape begins to ‘look’ more like valve amplifier clipping. This can better suit input signals which already have a full bottom-end, such as a neck pickup, and allows chord detail to better shine through.
  
• FAT - Also asymmetrical clipping, but with a big bottom-end output.

The gain knob has twice the gain range than you would expect from a classic TS.

I also offer an option for large, 2W metal film resistors.

AUD$269. See returns policy.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

Please also note: The second toggle switch option seen in the demo videos below is no longer included in the current production model for sale here. I found that the tone knob can make a setting which sounds the same as the "2 knob" mode, so it was removed.

After a decade of development, I've created this completely unique circuit as my ideal tremolo. This is easily my favourite effect circuit.

By shining a fading light against a photo-sensitive device, this tremolo uses all analog photo-coupling to restrict and fluctuate the output volume. There is automatic perceived volume compensation for the full sweep of the controls.

This is a stereo variation of my smaller Optical Tremolo. It can take a stereo input, or split a mono guitar input between stereo channels. The PAN switch changes the oscillator of each channel to be out of sync - so one comes up in volume while the other drops. This creates a strange swirling effect. All original analog circuitry and true bypass mechanical switching.

As with all of my tremolo models, you should expected perceived unity volume with all depth and rate settings, without having to make any manual volume adjustments. The wet level is adjustable internally by a trimpot.

Always use a high quality regulated and isolated power supply for best operation.

Please note that the GND lift switch is no longer used, which was previously seen on old demo videos.

AUD$289. Free post worldwide. See returns policy. Most international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays. This has been available for most countries, but not all.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

CLASS A

Germanium amplifier

This is my best attempt at a classic germanium boost pedal. An internal switch is added to switch between any two range modes.

Components used may vary slightly over time to those shown in the photo, due to stock availability - particularly transistors. Photos should be used only as a general guide for construction and components quality.

N.B. for purity of design, this pedal uses a positively grounded case. As such, it needs to be run from an isolated power supply, or battery. Batteries are not preferred. IE this pedal may not be suitable for a daisy-chain power supply.

AUD$199. Free post worldwide. See returns policy. Most international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays. This has been available for most countries, but not all.

Tone range:

Full / Mid Full / Treble Mid / Treble

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

This circuit (Brown Sound in a Box 2) was by far my favourite distortion back in high school. The cool thing was, if you wanted one, you just have to build one or know somebody who could. The circuit was designed by Ed Guidry, similar to works by Jack Oran and Aron Nelson. Back in the day, it was one of the highest recommended builds on the forums. Many would suggest that this design was the original precursor to many of the "high gain amp" pedals that came out in the 2000's. It's basically a Marshall stack tone faker.

It has a tonne of gain, and can dial in a fat bottom end to fake a big am. Lowering the drive thins this out if you want to push your preamp with the pedal. My build also has improved noise spec. This circuit also responds excellently to rolling back the instrument volume knob.

Distortion is achieved by overdriving Fairchild field effect transistors (FETs), being the closest solid-state relative to vacuum tubes. No diodes are involved for clipping. There are three stacked gain stages. The first two are μAmp stages, which is a classic valve topology developed to achieve high gain performance from tubes. The final is a class a stage.

AUD$199. See returns policy.

Delivery location:

Australia $199.00 AUD International (all else) Australia Post +AUD$14 $213.00 AUD International (all else) EMS Express +AUD$29 $228.00 AUD

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

The Tsuchi Fuzz V2 takes a new look at the classic two-transistor fuzz circuit. The circuit’s tone has been carefully evaluated at every shaping point, to produce either classic or modern fuzz tones.

Components used may vary slightly over time to those shown in the photo, due to stock availability - particularly transistors. Photos are shown only as a general illustration of construction and components quality.

N.B. for purity of design, this pedal uses a positively grounded case. As such, it needs to be run from an isolated power supply, or battery. Batteries are not preferred. IE this pedal may not be suitable for a daisy-chain power supply.

AUD$299. Free post worldwide. See returns policy. Most international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays. This has been available for most countries, but not all.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

The origins of this circuit date back to the '70s. This framework became the basis of many boutique distortions during the boom of DIY pedals - probably due to its elegantly simple design, and rich effect.

The three-position switch toggles between amp models of varying bottom-end saturation and overall gain.

For demos on how this pedal sounds, check out the Lovepedal Les Lius as it will sound like that circuit when the gain boost switch is engaged.

AUD$185. Free post worldwide. See returns policy. Most international orders are currently being sent by Express EMS to help minimize covid-19 delivery delays. This has been available for most countries, but not all.

Temporarily sold out. Waiting for new parts stock to come in August 2021 to continue sales. Please contact me for any inquiries.

Please note: While delivery times are improving regarding the COVID-19 pandemic, please be aware that international post deliveries are still experiencing transit delays.

Mintdrop - all sold

This is a '60s germanium Fuzz Face. Made using old recipe AC128 transistors, in Dazatronyx style.

This pedal artwork was designed with a friend and it had been on the to-do pile for a LONG time. I prepared twenty of these special enclosures as a limited run project.

N.B. for purity of design, this pedal uses a positively grounded case. As such, it needs to be run from an isolated power supply, or battery. Batteries are not preferred. IE this pedal may not be suitable for a daisy-chain power supply.

Check for (possible) last stock @ Signal Chain.

GERMANIUM FUZZ 2021

SOLD

This was a limited edition, special build. I only built two this year, to keep the project viable for me.

This is an old-recipe '60s germanium Fuzz Face. The transistors in this seconds unit are General Electric 2N43, and 2N123, where the manufacture date is the 13th week of 1956, and 4th week of 1958, respectively. These are some of the very early semiconductors which used a point-contact style junction.

Both units are now sold.